I have been involved with nearly 30 feature films and about the same number of documentaries, in various capacities. I have worked mainly as sound recordist, production manager, script writer and director. I feel like sharing 35 years of my first hand professional experiences and information with as many like-minded people as, I possibly can. For this I will choose a few features and a few documentaries. I have already started writing and ultimately I would love it, if I am able to find a publisher to present it in the form of a book for masses to read. Film making is a very thrilling process to go through. It is a bit slow in parts but can move at break-neck speed at times. It may look a bit boring and mechanical at times, but is artistically very gratifying otherwise. There are loud explosions and tender words are whispered in ears. There is violence of ‘Loot Maar’ and deep emotional conflicts of ‘Kamla’.
I feel an honest and interesting form of writing down real stories of few productions will make good reading. After all this field has the most popular and sought after ingredients of the world – actors, writers, directors, location shootings, dances, tantrums, ego clashes, bloopers and of course goof-ups. I feel today there are not many people who have seen Guru Dutt, Raj Kapoor, V. Shantaram or Kidar Sharma working on the sets, or during song recordings, during dubbings, sound effects, mixing… How did these legends gave instructions, how did they speak, were they soft or had foul language? Were they funny or dead serious? How did they dress while directing? All this personal information may be getting lost slowly and surely, because we can not find such people. And if there may be some one, he/she may not find worth the trouble, putting those memory gems on paper.
I agree I am not that ancient to be talking about nostalgic experiences. But I have been around since 1972 and have seen real film life quarrels (real not filmy), developing and cracking relationships, drinking binges and flaring tempers. I do understand that it would be my version and some may think of it as my colored opinion. But if some one is getting to read and know about what was it like in Nepal during one of Dev Anand’s film shooting 30 years back or how the documentary on ‘Knit-India-March’ of Baba Amte was shot 20 years back; I recon it can provide some value to a reader. But as the time passes (it always does- take it from me), I am certain the value of this text will only grow, due to its historic values. I am certainly not claiming that film makers may get some production ideas from such compilations. In any case the movies are not made the same way as two or more decades back.
In today’s world there is so much to read, hear and see. Market leaders use expert writers, columnists, painters and film makers. Experts are of less value today than popular writers. You need to be good to be an expert; but you need to have a personality or charisma to be popular. I guess it is like the difference between a ‘performer’ and a ‘star’, like the difference between Dilip Kumar and Shahrukh Khan, Ashok Kumar and Govinda, Nutan and just anyone else. If you act well or write well you are in the same league as other experts. But to be popular, you need to have an aura, a personality or someone’s name behind you, for people to identify you. Om Puri may be working extra hard on his role in a film with Tom Hanks. He would be working to match his abilities with the best in the world. While other stars may be strategizing to improve box office collections; some may hire a team to help them propel upwards and outwards.
We are in the business of putting a smile across people’s faces. Some movies or books make X smile, while others make Y happy. Whose smile is more gratifying for us, is our target audience.
(From archive April 24, 2008)